Category: Dance & Electronic

November 10th, 2025 by Admin

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STEVE AOKI BLENDS BATTLEFIELD DRUMS AND CLUB ENERGY FOR FATAL FURY: CITY OF THE WOLVES 

Tokyo, November 2025 – Following a year of showstopping releases from the industry’s top talent, the FATAL FURY: City of the Wolves soundtrack brings back a fan favorite, Steve Aoki. This global phenomenon steps once again into the Fatal Fury universe with the single ‘Hokutomaru’, the next release in the game’s new OST. 

The track sends listeners into an electrifying journey, guided by a soaring vocal that tells the story of a hero navigating a thrilling adventure. Relentless, battlefield-like drums drive the track, building tension until it explodes into a techno-fueled chorus with the energy of a festival crowd.The track demonstrates Steve Aoki’s talent when it comes to seamlessly blending music genres; this time bridging the gap between underground club dancefloors and gaming consoles. 
‘Hokutomaru’ is the next facet in Steve Aoki’s stellar 2025 run. As a globally successful cross-genre solo artist, Aoki has collaborated with an impressive list of varied artists, such as Dimitri Vegas & Like Mike, Robin Schulz, LAWRENT, David Guetta, Trippie Redd, and Jowell & Randy in only 2025, apart from the release of his 38-track long album ‘HiROQUEST 3: Paragon’ with plenty more iconic collaborations.  

With each new release, the FATAL FURY: City of the Wolves soundtrack continues to raise the bar, pairing the franchise’s genre-defining gameplay with cutting-edge music from the world’s top electronic artists. Curated by Salvatore Ganacci and already featuring standout contributions from Alok, Alan Walker, Sorana, ARTBAT, Sidney Samson, Solomun, R3HAB, and Luciano, the project honors the legacy of FATAL FURY while pushing its score into uncharted territory. 

About FATAL FURY: City of the Wolves: 

SNK’s beloved FATAL FURY series first hit the market in 1991, spearheading the fighting game boom of the 1990s that swept the industry thereafter. GAROU: MARK OF THE WOLVES (released in 1999) has, for some time, served as the franchise’s most recent installment. But that is all about to change: 26 years on, a brand-new entry – FATAL FURY: City of the Wolves – is set to arrive on the scene! FATAL FURY: City of the Wolves features a unique art style that stimulates the senses, an innovative REV System that supercharges the excitement, plus a host of other battle systems even more robust than before. The game also breathes new life into the series by introducing two distinct control schemes (ensuring fun and excitement for newcomers and veterans alike) as well as other fresh features and elements. The streets of South Town are a hotbed of action, wild dreams, and even wilder ambition. Here, at long last, a new legend is about to unfold… 

Official Site: https://www.snk-corp.co.jp/us/games/fatalfury-cotw/
X: https://x.com/FATALFURY_PR
Instagram: https://www.instagram.com/fatalfury_pr/

About Steve Aoki: 
Counting nearly 3 billion music streams to his name, Steve Aoki is a true visionary. Billboard described the 2x-GRAMMY-nominated music producer, artist, fashion designer, entrepreneur, NFT futurist and Dim Mak Records founder as “one of the most in-demand entertainers in the world.” A Guinness World Record holder for the “Most Traveled Musician in a Single Calendar Year,” Aoki has performed at nearly every top festival around the world, including Coachella, Ultra Music Festival, Lollapalooza, Fuji Rock Festival, Tomorrowland and Electric Daisy Carnival. 
As a globally successful cross-genre solo artist, Aoki has collaborated with an impressive list of varied artists, including BTS, Maluma, Snoop Dogg, Linkin Park, blink-182, One Direction’s Louis Tomlinson, Machine Gun Kelly, Lil Uzi Vert, 2 Chainz and Daddy Yankee, on top of having released three Platinum singles, six Gold singles, and over ten Top 10 radio records. After unveiling four Neon Future albums, Aoki recently released HiROQUEST: Genesis, featuring collaborations with Taking Back Sunday, Mod Sun, Kane Brown and more. 
Aoki approaches each new endeavor with the same sense of dedication he’s put into his past achievements, including the Grammy-nominated Netflix documentary I’ll Sleep When I’m Dead (2016) and his memoir BLUE: The Color of Noise (2019). In 2012, he also founded THE AOKI FOUNDATION to support organizations in brain science and its research. His influential record label Dim Mak, which celebrated its 25th anniversary in 2021, is known for being a launching pad for the careers of prominent acts like Bloc Party, The Chainsmokers, Bloody Beetroots, The Kills, Zedd and Diplo. Most recently, Aoki created the A0K1VERSE, an NFT membership community, powered by the Passport, that welcomes his fans to both virtual and real-world experiences. Aoki is also executive producer for “American Hiro,” a series in development with FX Networks directed by Jon M. Chu, chronicling the life of his father, Hiroaki “Rocky” Aoki, the legendary entrepreneur and daredevil businessman who created the Benihana empire. In whatever space Steve Aoki enters, the multi-hyphenate innovator continues to set trends and inspire creativity on a global level. 
Instagram: https://www.instagram.com/steveaoki
X: https://x.com/steveaoki
Facebook: https://www.facebook.com/steveaoki
Soundcloud: https://soundcloud.com/steveaoki
Youtube: https://www.youtube.com/steveaoki

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Oktober 29th, 2025 by Admin

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Claxy – Sugar for the Pill | Out 24.10.25 on Embassy One
Claxy step into the spotlight with their debut release on Embassy One: a reimagining of Slowdive’s timeless classic Sugar for the Pill. Brazilian duo Clara Valente (vocals/keys) and Gui Gautreaux (percussion/production) merge electronic textures with emotionally resonant songwriting, crafting a sound that is both intimate and expansive. Clara’s ethereal vocals float above Gui’s intricate production, creating a cinematic, immersive listening experience.
The release unfolds across three distinct variations: an Indie Dance cut, an Afro-Samba-infused mix, and an Extended version. Each interpretation preserves the hazy melancholy of the original while translating it into different emotional landscapes: from dreamy introspection to euphoric dancefloor energy. This multi-format approach is designed to reach both streaming audiences and DJ-focused platforms, highlighting Claxy’s versatility and global appeal.
Hazy, melancholic, and utterly captivating, Sugar for the Pill is a soundtrack for every mood—whether lost in solitude or moving under strobe lights. With a refined aesthetic and a signature blend of Brazilian roots, Afro rhythms, and electronic sophistication, Claxy is poised to capture the attention of DSP curators and electronic music fans worldwide.
Pitch: Claxy debut on Embassy One with a reimagining of Slowdive’s Sugar for the Pill. The Brazilian duo merge ethereal vocals, Afro-infused rhythms, and cinematic electronic textures across three versions—Indie Dance, Afro-Samba, and Extended. Dreamy yet danceable, their reinterpretation transforms shoegaze melancholy into global, late-night allure—an essential add for electronic and crossover playlists.

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Oktober 27th, 2025 by Admin

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Joris Sava is Germany’s most relatable TikTok bestie — and one of the most exciting new artists in European dance music. Known for his grounded charm and genuine funny vibe, Joris has built a loyal fanbase of over 2 million TikTok followers and 450k on Instagram, becoming one of the country’s most beloved content creators over the past two years.

2023 opened a new chapter: music. And Joris didn’t ease in — he exploded onto the scene as the voice behind VIZE’s smash hit “Ghost Town”, racking up over 60 million streams on Spotify and earning instant recognition across the EDM world as a breakout talent to watch.

Joris’ single “Always Love” (with Kush Kush & Zombic) further proved his staying power, enchanting fans and becoming the emotional centerpiece of Love Island VIP on RTL2 for the entire season.

2025 marked another main character moment in music for Joris – he released his track ‚Better On My Own‘ with Sound On – TikToks very own music distribution platform. To now move deeper into entertaining music peaks. With the Pop track ‚Shadow‘ the story of miracles has been written and produced with a new team and lots more songs to come. Joris’ strong and loving community will play a crucial part in the release of ‚Shadow‘. Engaging and empowering through music ‚Shadow‘ is a great reminder to care about: your life, your time, you’re making the rules, you’re making the moves – sure a motivation for Joris himself!

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Oktober 20th, 2025 by Admin

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Tripolism, Anton Khabbaz, Zamna Soundsystem & Andro Remix “Apocalypse”

Out now via Embassy One, the remixes expand on Pete Tong, MoBlack, Max Zotti and Monolink’s reimagining of Cigarettes After Sex’s 2017 hit single

Following the success of Pete Tong, MoBlack, Max Zotti and Monolink’s acclaimed reimagining of Cigarettes After Sex’s modern classic Apocalypse earlier this year, the track now enters a bold new chapter with some standout remixes on Berlin-based label Embassy One. Enlisting a handpicked selection of prestigious international talent, the release sees Tripolism, Anton Khabbaz, and Zamna Soundsystem & Andro each put their own stamp on the record, reshaping its haunting beauty into distinct and dynamic forms.

Up first, Danish trio Tripolism continues to make waves following their breakout 2023 anthem Dope Dance; an undisputed global hit which was named one of Pete Tong’s Top 5 Essential New Tunes of the year. Known for their playful yet sophisticated sound design, the trio has since released a slew of original singles, high profile remixes and collaborations, and their debut album Absolute Dope, earning heavy rotation on BBC Radio 1 and acclaim from tastemakers across the electronic music world in the process. Their inimitable take on Apocalypse brims with trademark-understated cool, weaving warped textures, left-field nuances and vocal fragments into a dynamic arrangement that shifts and surprises at every turn.

Next comes Anton Khabbaz, the Los Angeles-based producer celebrated for his hypnotic, melodic approach to Deep and Afro House. Khabbaz takes Apocalypse into a dreamlike dimension, amplifying its ethereal qualities with flowing pads, intricate percussion and immersive atmospheres. His remix expands the track’s emotional scope, lifting Monolink’s vocal into a soaring, otherworldly space while preserving the intimacy that defines the song. The result is a deeply transportive journey that resonates long after the final note.

The third remix sees Zamna Soundsystem – the collective born from the spirit of Mexico’s iconic Zamna Festival – join forces with Italian producer Andro, whose work spans pop, underground electronics and everything in between. Together, they craft a bold, high-octane version of Apocalypse designed for peak-time moments, as pulsating rhythms, a relentless low end and carefully sculpted breakdowns create a remix that thrives on tension and release.

Rounding out the package, Pete Tong, MoBlack and Max Zotti revisit their own interpretation with an exclusive Indie Version that leans further into alt-dance territory. Stripping away some of the electronic polish, the trio foreground Monolink’s evocative vocal against a raw, band-inspired backdrop. The result is intimate yet powerful; a reinvention that bridges electronic and alternative worlds, highlighting the song’s versatility and emotional depth in a whole new light.

The remix package underscores the enduring resonance of ‘Apocalypse’, a song that has touched millions worldwide since Cigarettes After Sex first released it in 2017. With over 1.3 billion streams on Spotify and multiple Platinum and Gold certifications globally, the track remains a modern classic. By inviting a new wave of forward-thinking artists to reinterpret it, Pete Tong and his collaborators continue their mission to bridge musical worlds and introduce timeless songs to new audiences.

Apocalypse Remixes is available now on Embassy One across all major streaming platforms:

https://lnk.to/Apocalypse_TripolismRemix

https://lnk.to/ApocalypseRemixes

Tracklist: 

Apocalypse (Tripolism Remix) 

Apocalypse (Anton Khabbaz Remix) 

Apocalypse (Zamna Soundsystem & Andro Remix) 

Apocalypse (Indie Version) 

Apocalypse (Original)

Embassy One Social Channels:

facebook.com/EmbassyOneRecords

instagram.com/embassyonerecords/

Posted in Dance & Electronic

Oktober 20th, 2025 by Admin

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“The Secret” is about cold nights on Brighton Beach and finding ways to make life exciting even when, growing up there, most weekends felt grey, ordinary and repetitive.
It’s that teenage feeling of wanting to escape, where the secret is just knowing how to make your own fun and go a bit mad with your friends.

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Oktober 16th, 2025 by Admin

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Oktober 13th, 2025 by Admin

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HUGEL & Kurd Maverick – PYHU (Put Your Hands Up)

It’s been teased all summer long… from Ibiza to Las Vegas, and everywhere in between it’s one of the highlights of HUGEL’s summer sets, and now Cr2 Records can finally release this massive collaboration with Kurd Maverick: ‘PYHU (Put Your Hands Up)’ is an instantly recognisable anthem that is ready to damage dancefloors all over again. HUGEL has been on a roll in the past few years since the release of ‘Morenita’. He is a gold and platinum-selling artist with over 1 billion streams & has collaborations with the biggest names, including David Guetta, Diplo & J Balvin. Currently, on Spotify alone, he has over 27 million monthly listeners. This year, he embarked on a career-defining achievement: his residency in the legendary Ibiza club Hï. ‘PYHU (Put Your Hands Up)’ is set for release on the 3rd October via Cr2 Records.

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Oktober 13th, 2025 by Admin

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Wenn CID und Taylr Renee zusammenarbeiten, entsteht „Fancy $hit” – ein energiegeladener Track, der schon lange vor seiner Veröffentlichung in Live-Sets für Begeisterung sorgte.
Der Hype begann, als FISHER den Track bei seiner großen Headliner-Show in Brooklyn spielte und das Publikum damit zum Explodieren brachte. Ein paar Wochen später wurde der Track zweimal auf der Tomorrowland Mainstage gespielt – zuerst in FISHERs und dann in Kaskades Set. Dadurch wurde „Fancy $hit” zu einer der gefragtesten IDs des Sommers.
Seitdem hat der Titel die sozialen Medien im Sturm erobert, über 11.000 Kreationen inspiriert und mehr als 40 Millionen Aufrufe auf verschiedenen Plattformen erzielt. Er hat bereits über 5,8 Millionen Streams und 139.000 Shazam-Tags gesammelt. Fünf Wochen lang stand er auf Platz eins der Beatport-Charts und erreichte gleichzeitig die Spitze der Spotify-Viral-Charts in über 21 Ländern – ein klarer Beweis für seine globale Dynamik.

Für CID sind diese Situationen nichts Neues. Der aus New York stammende GRAMMY-Gewinner und einer der meistverkauften Künstler auf Beatport hat seine Karriere damit verbracht, Club-Hits zu produzieren, die ihren Weg in die Sets der größten Namen der Szene gefunden haben – von Solomun bis Chris Lake. Mit Hunderten Millionen Streams, mehreren Grammy-Nominierungen und Veröffentlichungen auf Labels wie Catch & Release, Solotoko, Repopulate Mars und seinem eigenen Label Night Service Only sind die Produktionen von CID äußerst wirkungsvoll.

Bei „Fancy $hit” wird er von Taylr Renee begleitet, einer Sängerin, deren Stimme bereits zahlreiche Dance-Hymnen geprägt hat und die diesem ebenso eindrucksvollen wie mitreißenden Track ihre unverwechselbare Note verleiht.

CID sagt dazu: „Es hat riesigen Spaß gemacht, diesen Track zu produzieren. Ich bin schon seit Jahren ein Fan von Taylr Renee und als sie mir ein paar Demo-Vocals schickte, habe ich alles stehen und liegen lassen. Als ich die Idee für ‚Fancy $hit‘ hörte, wusste ich sofort, dass sie großes Potenzial hatte. Fisher spielte an diesem Wochenende in New York und ich nahm mir vor, den Track rechtzeitig fertigzustellen – in der Hoffnung, dass er ihn spielen würde. Und tatsächlich, ein paar Tage später spielte er ihn … Er war ein Riesenerfolg!“

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September 29th, 2025 by Admin

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Azteck kehrt mit einer kraftvollen neuen Veröffentlichung zurück: „Pretty Woman (All Around The World)“, auf der kein Geringerer als der weltbekannte Superstar Pitbull und der italienische DJ und Produzent Gabry Ponte zu hören sind. Dieser energiegeladene Dance Track ist eine lebhafte und melodische Hommage an Frauen überall auf der Welt – eine Kombination aus mitreißenden Beats, nostalgischem Flair und unwiderstehlicher Gute Laune Stimmung.
Mit Pitbulls unverkennbarer Stimme und seiner einzigartigen Fähigkeit, das Publikum mitzureißen. Gabry Ponte verleiht der Produktion seine ganz eigene Note, indem er moderne elektronische Elemente mit einem Hauch von nostalgischer Magie verbindet – eine euphorische Hymne, die sowohl zeitlos als auch völlig frisch wirkt.
„Pretty Woman (All Around The World)“ ist mehr als nur ein Song, es ist eine moderne Neuinterpretation von Roy Orbisons legendärem Hit „Oh, Pretty Woman“, der vor über 60 Jahren veröffentlicht wurde. Orbisons Klassiker, der über 750 Millionen Streams gesammelt hat und als Soundtrack des Kultfilms Pretty Woman bekannt ist, wurde für 2025 neu interpretiert.

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September 29th, 2025 by Admin

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Night Tapes – portals//polarities album bio
2025 – Most bands would say their music is a product of their environment, but it’s true for none more than Night Tapes. On the London trio’s extraordinary, dazzling debut album, portals//polarities, the band take you inside the places and sounds of its creation around the globe. Across the album, you’ll hear a bubbling swamp in Tallinn, Estonia, wildlife and birdsong from Mexico, a Los Angeles police helicopter and more. It’s a deeply immersive and wildly exploratory first full statement from a unique and thrilling act.
Environment and surroundings has always been vital to the music of the trio. Initially it was by necessity, before it became their secret weapon. Making music together in a shared house in southeast London, the songs of Iiris Vesik, Max Doohan and Sam “Richie” Richards had to be quiet to avoid disturbing neighbours.
“It was about capturing the vibe of the house,” Vesik remembers, then realising that the songs “became time capsules of the different places we were.” For Richards, each song comes with a specific and clear memory of the surroundings in which it was created. “It feels like a flipbook of that time,” he says.
The music, featuring ‘band’ sounds of guitars, bass and drums but made on laptops and built up in a way similar to dance music, is dreamy and widescreen but with plenty of bite. Debut single ‘Forever’ now sits on 10 million streams on Spotify and became an underground hit through the pandemic. Traditional song structures can often handbrake turn into dissonant noise or extended ambient sections, blurring the lines between band and studio project in new and exciting ways.
While their first songs, collected on the EPs Dream Forever In Glorious Stereo (2019), Download Spirit (2020) and Perfect Kindness (2023) were utilising the sounds and vibes of shared houses and the ambient buzz of London, the success of those tracks brought with it world tours, on which portals//polarities was made and significantly more exotic sounds sampled. Even the band’s name is derived from their earliest work, hanging a dictaphone out of a window to capture passing noise and life, be it from a London flat or on the bustling streets of Tokyo. With almost everything on the album produced and mixed by the trio, their creative process is closer to that of electronic producers rather than a traditional band, and the blurring of these boundaries sets them apart.
Most of the album was made in hotels and AirBnBs in small breaks between gigs and legs of the tour.
“That pushes you to work in a certain way,” Doohan says. “You can hear that in the album. We haven’t just gone to a plush studio.” Instead, the music is about “trying to create the biggest thing with the smallest amount of things possible.” After one US tour, they stole some time in Mexico and ran their cables out to the rooftop of their accommodation to lay tracks down over the view of the valley. The song ‘Enter’ on its own has samples of the Estonian swamp and Mexican mountain weaved in around the skittering shoegaze track, bringing a global and limitless feel to music that sits comfortably in between defined genres or boundaries.
Across the album, the band employ thudding synth-pop (‘Storm’), trip-hop (‘Pacifico’), lo-fi pop (‘Lemon Tree Midnight’) and more, and it’s the way the band switch between these modes with abandon – often within the same song – that truly excites.
The use of the tapes and heavy sampling also gives Night Tapes’ music a deeply human imperfection,
going against the grain of pristine electronic creations on computers. Doohan explains: “We’ll have one tape in the dictaphone, and we’ll record fragments of sounds when we’re jamming. We’ll press record,
record something, and press stop. We have no idea where it is on the tape, and often we’ll forget that we recorded it. Later, we’ll be scanning for stuff and I’ll just press play, and it will just sweep through all these little fragments of sound. Often some crazy synchronicities will happen, where that particular fragment of sound we recorded six months ago fits perfectly on this new idea. It’s just like an old friend coming back to you in a new context. That never really happens in the digital world, where it’s all too quantifiable.”
While the songs on portals//polarities aren’t explicit in their lyrical meaning (“the emotions are in the
chords, not in the lyrics,” Vesik says), Night Tapes’ music is still full of meaning, and its nuanced and imperfect edges reflect their thoughts on the world at large.
Vesik says: “The album is an exploration of energies and an exploration into my soul. I go into the
spectrality of my being and into different polarities within myself. I would like to understand myself and to understand relationships I have with myself and others because I’m trying to change the small things in order to tackle the big ones. I’m just trying to be as honest as possible because lies are prisons. I’m from a country that used to be under authoritarian rule. I am really grateful to have been born in a free country and I value freedom above most things,” the Estonian-born singer, who was in the womb during the Singing Revolution that freed her country, adds.

The personal and political are constantly overlapping on the record, and it’s a mix that makes Night Tapes’ music thrive on humanity and connection. With portals//polarities, they have made an album that dream big but is defined by how daringly human and real it is, capturing once-in-a-lifetime moments and happy accidents to make music that feels truly, beautifully alive.

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